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Michael Levy: Biography

MICHAEL LEVY

 

 

MUSICAL BIOGRAPHY

 

me From very humble, VERY self-taught musician - to Global Web STARDOM...it has been quite a journey!!! 

I first entered the unsuspecting world in the Spring of 1968 - and if it was not for music, I could at least have possibly found an interesting "alternative career"...as a spitting image double of the "Half-Life" computer game character, "Gordon Freeman"!! ;o)

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It was not until I was 12 years old, when faced with the daunting prospect an elementary practical music exam at my first year at secondary school, that I had to learn my first ever tune - my father tried to teach me to play the first few notes of "Hava Nagila"...it was that simple accomplishment in 1980, that got me hooked on teaching myself to learn to play music, forever! 

When I was about 14, I heard a live concert of Medieval music for the first time at Rufford Old Hall near my original hometown of Ormskirk, Lancashire. I was immediately fascinated how the sounds of this music were able to transport my first ever "Musical Adventure in Time Travel"!!!

After the experience of hearing this ancient music, whilst all my ache-faced peers were buying tacky records of "Bananarama", I was geeking out & buying records by David Munrow...

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THE STORY OF MY LYRE MUSIC

 

My 8 albums of mystical, meditative lyre music, literally started off as nothing more than my countless experiments on my "Klezfiddle1" Youtube Channel - with nothing more than a VERY cheap & nasty PC mic and webcam (courtesy of  my bargain basement "Argos" catalogue!) to record my videos with!

I am originally a self-taught Klezmer fiddler, hence the name of my Youtube Channel ("Klezmer", for the uninitiated, is the traditional Jewish Wedding Music of the tragically lost Eastern European Shtetls) - I just adore playing"Roots Music"...

Below is a video featuring clips from my new remixed & extended album, "The Klezmer Fiddle" (available now, on iTunes, Amazon MP3 Store & CD Baby: http://cdbaby.com/cd/MichaelLevy2

For many years when I lived near Manchester, I was involved with a mixed bunch of musicians known as "The Klezmer Kollective" :

http://manchesterklezmer.org

Our main somewhat "Semitically Surreal" annual gig, was the "Edale Folk Train"...

http://www.folktrain.org.uk

This unique phenomenon, featured our sometimes 12 piece authentic Klezmer Band, playing the quaint traditional Jewish Wedding Music of the Eastern European Shtetls, live, to a rather "captive audience", comprising of the utterly bewildered commuters travelling on the train from Manchester Piccadilly to Edale!!!

After getting utterly sloshed whilst doing the Klezmer gig on the train, we alight at Edale, stagger to the "Edale Rambler" pub, do another live Klezmer gig there, get even more sloshed, stagger back to the train station...& those still left standing, do yet another gig on the train back to Manchester!!! Here are a few classic photos...

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"The Klezmer Kollective" used to also meet up monthly for a jamming session at a quaint pub called "The White Heart" in New Mills, in the heart of rural Derbyshire for many years...until we were booted out by the landlord in favour of Big Screen Football!

Tragically, one of the founders of the group, Michael Kahan, the incredibly talented classically trained violinist, was brutally murdered in 2008, just a day before he was due to celebrate his 40th birthday. His Klezmer fiddle playing was an inspiration to me, and although he is gone, at least some of his amazing music lives on...

 

 

FROM MY DIRE, DISMAL DANK SPARE ROOM IN GROTTY SALFORD, TO GLOBAL WEB STARDOM!!!

All my myriads of mainly "Semitically Surreal Madness" videos seen on my "Klezfiddle1" Youtube Channel, were recorded in my grotty spare room, in the dank, dire, rising-damp-ridden little "Coronation Street-Style" terraced house where I have the misfortune of living - in darkest, dismal Salford, near perpetually "Rain-Ravaged" Manchester, UK...

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Here is what my poor little "lounge" looked like in 2001, when I bought my quaint, Edwardian Time Warp "house" (which in the year 2000, had no indoor toilet!), for the price of a second-hand car...

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During 2002, not only was I sad, single & living in Salford - I was also unemployed, sad single & living in Salford! I manged to literally "Air my Angxt" during this dark times, in a series of 3 local community radio shows, which I wrote & broadcast, called "Rabbi Mikey Prozac's Rant Hour!" (co-hosted by my similarly sad, single, unemployed & living in Salford co-host, "Mikey Seroxat")...

 

My original, bargain basement "Spare Room Youtube Broadcasting Studio" from 2006 - 2009 can be seen in all it's grotty (but thankfully by this time, redecorated!) "glory" below:

 

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Here is a selection of some of my most recent broadcasts on Youtube:

  

 

MY MOST WATCHED YOUTUBE VIDEO OF ALL TIME!

Besides my Klezmer album, "The Klezmer Fiddle" (available from iTunes, Amazon MP3 Store & cdbaby.com), one of my most early, original very "Lo Fi" Youtube videos of my live arrangement on electric fiddle, of the first track of this album, is now one of the most watched videos of Klezmer music on Youtube, in the known Universe!!! Here it is, in all its "Manic Glory"...

 

 

SITAR AND LYRE - "ANCIENT ECHOES"

In my opinion, the most interesting video I have so far posted on Youtube, has to be of my collaboration with the amazing Manchester musician, Dominik Johnson.

The video below, "Ancient Echoes", features Dominik's awesome Sitar playing, in duet with my replica 3000 year old Lyre of the Ancient Hebrews, my fiddle, with Tabla accompaniment:

 

The complete track of "Ancient Echoes" is available to download from Dominik's new album, "Instrumentals" - now available from iTunes, and cdbaby.com:

http://www.cdbaby.com/cd/dominikjmusic

THE MUSIC OF ANCIENT GREECE - THRASHED ON AN AXE!?!?

By way of significantly unsubtle contrast (& on an ever-so-slightly less meditative mood of tranquility!!), my most "musically" adventurous experiment on Youtube to date, has to be my "somewhat unique" performance of the Music of Ancient Greece...thrashed on my twin-humbuckered red-bellied BEAST of an electric guitar!!!! Check this out:

What inspired this "Deluge of Decibels"?? Well, according to the writings of Plato & Aristotle, the ancient Greek Dorian Mode was the most "manly" of all the ancient Greek musical modes - it was even used to inspire bravery & courage in battle! So, for definately the VERY first time in 2500 years - the manly sound of the ancient Greek Dorian mode...THRASHED ON AN AXE!! Almighty Zeus...LET'S TURN UP THE JUICE!!!!!!!!! ;o)

The images in this surreal video depict the most manly of all the Ancient Greek conflicts...the Battle of Thermopylae, where in in August, 480 B.C, King Leonidas and the 300 Spartans, who along with 700 Thespians fought to the death in holding back against the Might of the entire Persian Army at the Thermopylae Pass... 

The piece I am playing in this bizarre video, is a genuine fragment of ancient Greek music from the 2nd century CE, by Mesomedes of Crete! It is called "Hymn to the Muse"...I just hope, for the sake of my poor mortal Soul, that the Muse is amused, by this surreal little "musical" experiment!!! ;o)

The ancient GREEK Dorian Mode, was the equivalent intervals as E-E on the white notes of the piano (EFGABCDE) - this must not be confused with the MEDIEVAL "Dorian" mode (still named so today), which is D-D (DEFGABCD)...,some medieval "scholar" (presumably seriously sloshed sensless on Mead at the time!) hopelessly misinterpretated the Latin texts of Boethius - and gave ALL the ancient Greek musical modes THE WRONG GREEK NAMES!!!  For some reason, we still use these totally incorrect names today...

For the correct names of the original ancient Greek modes, see:

http://www.harmonics.com/lucy/lsd/corrections.html

Full details on all this fascinating historical stuff, can be found in the quite frankly amazingly extensive "History of the Lyre" section of this website...

WHAT DO I DO WHEN I AM NOT RECREATING THE SOUND OF THE LYRE OF THE ANCIENT HEBREWS IS MY SPARE ROOM??? 

When I am not busy recreating the sounds of the 3000 year old Lyre of my very own, very ancient Levite ancestors in my spare room, until September 2009, I worked in darkest, dismal Salford, Lancashire, as a Support Worker, helping adults with learning disabilities to feel a valued member of the community in which they live...

Prior to this, I was a self-employed piano teacher (for the "Terminally Tone Deaf") for miserable 10 years, between 1992 - 2002. I ended up self-employed, because having gained my very interesting, but vocationally useless degree in Philosophy from the University of Hull in 1989, (one of my exam questions was "Reddish Green. Discuss"), it then seemed that nobody was ever going to employ me!

Indeed, my "Graduate Career" prior to 1992, included anything from working at Southport Circus (shovelling Tiger poo!!), and after I had finished clearing foul feline faeces, in 1991, I ended up busking George Formby songs outside my local branch of "Tesco" - the act was such a hit, that I even took the gig ON TOUR...to "Quik Save", Ormskirk!

The story even found its way into "The Manchester Evening News"! Here is a link to this vintage article from 1991:

Busking!

More of my many life's mayhems can be read in the following link to a story featured in "The Jewish Telegraph", published prior to the release of my first album:

Jewish Telegraph Article 

 

A HAPPIER FUTURE - AT LONG LAST!

In September 2009, I  tackled my "mid-life crisis" in taking the plunge of  ending my "Lonesome Lyre-Strumming Batchelor Life" & relocating from the Dank, Dire Dismalness of Salford to something less "Saul-like" & mercifully, much more soothing and serene...& finally moved to live with my partner Rosalind near rural South Wales! I sure don't miss Salford Precinct anymore...

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WHERE TO SEE ME PLAY LIVE PERFORMANCES ON MY LYRE?

I occasionally  take my lyre, repertoire of ancient Greek, ancient Hebrew, ancient Egyptian, ancient Mesopotamian & ancient Hebrew music, (& a small selection of my 3 CD albums to mercilessly flog!),  to

CHEPSTOW ACOUSTIC MUSIC CLUB:

 http://www.chepstowacousticmusicclub.com

Come check it out sometime!!!

 

HOW DID I ACQUIRE A REPLICA OF THE 3000 YEAR OLD LYRE OF THE ANCIENT HEBREWS?

I acquired my replica Kinnor Lyre after a Google image search for the instrument! I simply happened to see an illustration of one of these replica lyres (which I later discovered were cheaply manufactured by "Mid East Ethnic Instruments"), on a CD insert booklet from an album I found on Amazon at the beginning of 2006, called "Ancient Echoes; Music From the Time of Jesus & Jerusalem's Second Temple" by the San Antonio Vocal Arts Ensemble. Here is a video about this incredible album:

 

 
 

 

This incredible recording opened up my mind to a whole new VISTA of ancient sound! From the liner notes, I also learnt of the monumental work of the late Jewish composer, Suzanne Haik-Vantoura, who in 1976, claimed to have discovered the original 3000 year old music of the Hebrew Bible. These amazing claims of Suzanne Haik-Vantoura, are later discussed in detail, and some of her alleged reconstructions of the original 3000 year old music of the Bible performed by the San Antonio Vocal Arts Ensemble. can also be heard in the section entitled "The Original 3000 Year Old Music of the Hebrew Bible?", which can be found in the extensive "Historical Details" secion of this website.

Prior to buying this album recorded by the San Antonio Vocal Arts Ensemble, I had never even heard of the Kinnor Lyre of the Ancient Hebrews. I just had to find one...after discovering on Wikipedia, that it was none other than my very own, VERY ancient Levite ancestors who were THE actual musicians, who actually played this very lyre, over 2000 years ago, in the actual Courtyard of the magnificent Temple of Jerusalem itself, to accompany the legendary singing of the Levitical Choir!!!

This has simply been an AMAZING voyage of discovery, and certainly for me, the creation of my 3 albums, 3 years after teaching myself to play the replica 10-string Kinnor from scratch, has been the ULTIMATE experience in "Roots Music"...

THE STORY OF HOW MY ALBUMS WERE ACTUALLY RECORDED...

It has all been quite a journey - and as this little video describes, some moments of this ride have been considerably "bumpier" than others!! 

When I first experimented with my newly aquired replica Lyre of the Ancient Hebrews before my "bargain basement" Argos webcam/PC mic setup on my "Klezfiddle1" Youtube Channel (which first broadcast to the unsuspecting world from my grotty spare room, Salford, on 29/08/06!), I never once imagined that from these humble beginnings, 2 years later, I would have 2 CD albums recorded for global distribution!!!

The very first seed of inspiration to actually find a proper recording studio, was thanks to the suggestion of one of my growing "Youtube Fanclub", at the start of 2008...

After much frantic Google searching, I finally found a studio I could get to on the Manchester "Metrolink" tram service...alas, the last time I took a driving lesson, 20 years ago, I mistook the accelerator for the brake - in the Emergency Stop!!!!

OY VEY!!! As a musician, it is soooooo frustrating not being able to drive - although I have taught myself to play aproxiomately 20 different musical instruments, this is neither use nor ornament...if one cannot physically get one's gigabytes of gear to a single, solitary gig!!!

Anyway, I finally found "The Cutting Rooms", a few minutes walk away from Crumpsall Metrolink Station, and in March 2008, my lyre and I went on our first "Tram Ride to STARDOM!!"

The Cutting Rooms Studio

It proved to be a long journey...the marriage of 3000 year old replica lyre, and 21st century digital recording technology, nearly ended up in divorce!!!

Cutting Rooms Studio

I will always be grateful to the infinite patience of my maestro sound engineer, Tom Winstanley...in my 6 month long quest, to find just the right "etherial, ancient sound" and delicatey balanced EQ settings which I for so long, desparately sought!!

The main problem we encountered, was the softness in tone of my lyre...compared to the screeching Thrash-Metal rock bands who usually stalked the studio building!! I would be half way through an intricate improvisation on an ancient 3500 year old Egyptian scale....when some spikey-haired, leather-clad, unwashed, axe-thrashing YETTI would slam a door - and I would have to start all over again!

Below is a photo taken of me in the studio, in these somewhat frustrating early stages of (attempting!) to record "King David's Lyre; Echoes of Ancient Israel":

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The most technically challenging piece on "King David's Lyre; Echoes of Ancient Israel", was track 10, "Odessa Bulgar" (which after "The Music of Moses", happens to be my own favourite track!).

In my arrangement for solo lyre of this fantastic traditional Klezmer classic, I experimented with an ancient style of lyre playing still heard in Eritrea, East Africa, known as "block and strum"...

This entails the initially mind-boggling technique, of blocking with fingers of the left hand, notes not required to be heard, and leaving open for strumming with the plectrum in the right hand, notes which are required to be heard - by this technique, it is possible to strum different chords on the lyre,  just as on an acoustic guitar - despite the fact there is no fingerboard to actually form these chords!

It is like tying to play the guitar backwards - instead of holding notes down with the left hand to form chords, in this technique, one is holding down notes not required to be heard to form chords! The final result of this mind-muddling mental contortion, sounds like some kind of totally cryogenically cool "Klezmer/Flamenco FUSION"!!

Recording "Lyre of the Levites" was thankfully, a much more straightforward affair - I paid a bit extra for the bigger, mercifully more sound-proof studio, and managed to record the entire album in one session! I then simply added the delicate EQ balance/subtle "ancient ehtherial" digital effects" I so painstakingly sought for 6 months to find, during my recording of "King David's Lyre; Echoes of Ancient Israel"...

The result is that there is a very subtle difference in the overall sound of the 2 albums - please buy BOTH of my albums...and see if you can "spot the difference"!!

Sadly, "The Cutting Rooms" was yet another victim of the current global recession, and closed its doors in May 2009...I am just so glad I found such an amazing little studio, for what has been the most amazing "Musical Adventure in Time Travel" of my entire LIFE!

Undaunted by the demise of the only recording studio I could get to, I invested in a decent microphone, and recorded, mixed & produced my next album, "An Ancient Lyre" by myself. This album was my first attmept to arrange for my replica lyre, some of the actual surviving music of ancient Greece, an improvisation on an ancient Egyptian scale, evokingthe sounds of ancient Egypt by arranging for lyre, a selection of traditional Egyptian folk melodies from Port Said, and one of the most amazingly ancient pieces of written music known in History...my arrangement for lyre, irst heard on Youutbe, of Dr Dumbrill's interpretation of "Hurrian Hymn no. 6" - an ancient Mesopotamian musical fragment notated on a clay tablet in the Cuneiform text of the Hurrian language, datingfrom c.1400BCE!!!

Below is my live performance of this incredible music, as heard on my "Klezfiddle1" Youtube Channel:

Shortly after releasing "An Ancient Lyre", I had the pleasure of meeting an incredible Manchester-based young composer, multi-instrumentalist, & quite frankly sound engineering genius, called Dominik Johnson, who contacted my on my "Ancient Echoes" Myspace page. Here is a link to his website:

http://www.dominikjohnson.com/

After hearing the magic he could work, in mastering some samples of my recordings, the result was my next album, this time produced by Dominik, "Ancient Times - Music of the Ancient World". This was a compilation album, featuring my own personal favourite tracks from my first 3 albums, painstakingly remastered by Dominik, with reverb authentically sampled from mystical, Middle Eastern Iranian caves...

The first track on this album also features posssibly one of the most unique duets in musical history...a 10 minute long, epic improvisation on an ancient Indian scale, featuring Dominik's Sitar & my replica 3000 year old Lyre: 

 

The next album I recorded, also masterfully produced by Dominik Johnson, was "The Ancient Biblical Lyre". This album featured my amazing skin-membrane lyre: an interpretation by Mid East Ethnic Instruments of the elusive Biblical "Nevel" - the other lyre once played by the Levites in the Temple of Jerusalem (as discussed in the extensive "Historical Details" section). I just love the totally exotic timbre of this unique ancient instrument...

After being inspired by Domink's ability to compose all his own material, I decided to rise to the challenge, and write my own material for "Apollo's Lyre", "The Ancient Greek Modes"& "Art of the Lyre".

"Apollo's Lyre" features compositions for solo replica lyre, in some of the ancient Greek Modes, 2 ancient Hebrew scales, the mystical Middle Eastern "Hijaz" mode, an ancient Egyptian minor pentatonic scale, as well as my arrangement for lyre of an actual traditional Egyptian melody from Port Said, "One Day We Blamed Eachother" (which for the album, I renamed my arrangement of the melody, "Hymn to Hathor").

"The Ancient Greek Modes" is my EP album, featuring 7 original compositions for lyre, in each of the 7 original ancient Greek musical modes...as descriped in the ancient writings of Plato & Aristotle, 2400 years ago!

This is, in my opinion, Dominik's best production to date - the utterly etherial reverb he created for this album, almost makes me want to float to the ceiling, lost in mystical, meditative contemplation...

"Art of the Lyre" is the sequel EP album to "The Ancient Greek Modes", featuring more original compositions for Kithara-style lyre, in a selection of the actual Ancient Greek Modes of Antiquity, as well as my arrangement of "Lament of Simonides" - one of the precious surviving fragments of the Music of Ancient Greece.

 

 

 

 

ACKNOWLEDGEMENTS

Special thanks is due to Biblical Musicologist, John Wheeler, for all the fascinating information on ancient lyre-playing techniques, and for invaluable information on the historical background to the creation of my debut album, "King David's Lyre; Echoes of Ancient Israel":

 http://www.rakkav.com/biblemusic/index2.htm

Thanks is also due, for the excellent album artwork/disc manufacture of my 3 CD albums, by Paul Draper of "Dead Frog Studio", Ormskirk:

http://www.deadfrogstudio.co.uk

Thanks again, to the incredible audio engineering & general genius of Dominik Johnson, in producing my albums, "The Ancient Biblical Lyre", "Ancient Times - Music of the Ancient World", "Apollo's Lyre", "The Ancient Greek Modes", "Art of the Lyre, "The Appalachian Banjo" & "The Klezmer Fiddle":

http://www.dominikjohnson.com

Many thanks to my Youtube subscriber "Leftyseargent", for all the fascinating research into the radiation of ancient Mesopotamian musical culture:

 http://www.youtube.com/user/leftysergeant

Above all, special thanks to all the many loyal subscribers to both my Youtube & Myspace Musician’s Channels; it is thanks to all your support, comments, constructive criticism and encouragement over the last 18 months, which has finally transformed my dream of creating these albums, dedicated to restoring the sound of the ancient Jewish Kinnor Lyre of my Levite ancestors, a reality! I am, & always will be, grateful to you all, each & every one of you...

Shalom, Salaam...PEACE!

 

Michael Levy

PEACE_cropped