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DISCOVERED BY RUFUS WAINWRIGHT! The  story of the incorporation of my ancient lyre theme, "Hymn to Zeus" in two scenes of Rufus Wainright's second opera, "Hadrian" was featured in an article in "The Globe and Mail" - one of the biggest daily newspapers in Canada! The full story can be found here  ” - Brad Wheeler

The Globe and Mail

Due to the recent fascinating cross-cultural and international interest in my musical mission, the story of my efforts to reintroduce the ancient musical modes and recreated lyres of antiquity back into the modern musical world featured in a story published in the Daily Mirror (Sri Lanka)...The complete story, entitled "Playing the Music of the Pharaohs and Prophets" can be read here  ” - Gamini Akeemana

The Daily Mirror (Sri Lanka)

The story of my lyre music has just gone to print in "The Hindu", India's no.1 literary English daily in the prestigious section 'Friday Review' where international artists of high caliber are featured: and the biggest English language newspaper in the whole of Southeast Asia! The complete online article can be read here and a free PDF of the actual newspaper story can be downloaded here” - Krishnaraj Lyengar

The Hindu

MY ARRANGEMENT FOR OF THE WORLD'S OLDEST SONG IN THE WORLD'S BIGGEST ONLINE ENGLISH LANGUAGE NEWSPAPER!In July 2016, my increasingly viral video of my arrangement for solo lyre of the oldest known notated melody; the bronze age Hurrian Hymn Text H6, was featured in the Daily Mail Online - the biggest online English language newspaper on the planet!The full story can be found here  ” - Abigail Beal

The Daily Mail Online

My efforts to bring new life to the ancient lyre finally gained international academic recognition in a full length article, published in the Summer 2013 edition of "The American Harp Journal" The paper by Diana Rowan includes an analysis of my work, along with the work of the Ethiopian Begena player, Temesgen Hussein and Michalis Georgiou, the founder of Terpandros, the The Cyprus Ensemble of Ancient Greek Musical Instruments. A PDF of the paper, entitled "The Universal Lyre: Three Perspectives" can be freely downloaded from here The article can also be read and shared online on Questia    ” - Diana Rowan

The American Harp Journal

KING DAVID'S LYRE; ECHOES OF ANCIENT ISRAELNews of my debut album, "King David's Lyre; Echoes of Ancient Israel" was published in the following press release to the Jewish Chronicle, back in 2008:  The full story can be read here  ” - Candice Krieger

The Jewish Chronicle

My 'New Ancestral Musical Revolution' just prominently featured in an article on early music published by Bandcamp, (one of the most renowned digital music stores for the independent artist), entitled "The Search for the Oldest Music on Bandcamp".The complete article can be found here  ”

Bandcamp Daily

King David's Lyre; Echoes of Ancient Israel Michael Levy has reconstructed ancient Hebrew music on his lyre. Michael Levy is truly an original -- although the music he plays is largley forgotten. He takes the oldest music in the world and plays them on the lyre -- the way it is meant to be played -- resuscitating the music back to life. There is something ancient, primal, & primordial to the music he creates. Michael is real passionate musician, and his music is one of my greatest personal discoveries I found last year. Other albums include "The Ancient Egyptian Harp" and "Ancient Landscapes.” - The Aramaic Herald

The Aramaic Herald - Review of "King David's Lyre; Echoes of Ancient Israel"

Michael Levy: King David’s Lyre... Levy is a descendant of the Levites, the musicians in the Holy Temple. Like them, he plays a 10-stringed lyre. The experience of hearing melodies like “Oh Chanukah,” “Araber Tantz,” and “Hatikva” played on an instrument that predated them by millennia is exhilarating. It is the sound of Jewish history itself. The lyre’s sound is often like the guitar, but also tones of the lute, oud, balalaika and its other ancestors can be heard. Hearing its bejeweled tones, and then recognizing among them a familiar melody, is revelation. The lyre’s design was taken from coins dating from the Second Temple period; it is probable that the Levites who played at the rededication of the Temple—a festival they called “Chanukah”— would recognize this instrument and its sound.” - Paul Wieder

Review of "King David's Lyre; Echoes of Ancient Israel" in the JUF News (JEWISH UNITED FUND/JEWISH FEDERATION OF METROPOLITAN CHICAGO)